PK the Bookeemonster
Happily retired in the village of Three Pines, Armand Gamache, former Chief Inspector of Homicide with the Sûreté du Québec, has found a peace he’d only imagined possible. On warm summer mornings he sits on a bench holding a small book, The Balm in Gilead, in his large hands. “There is a balm in Gilead,” his neighbor Clara Morrow reads from the dust jacket, “to make the wounded whole.” While Gamache doesn’t talk about his wounds and his balm, Clara tells him about hers. Peter, her artist husband, has failed to come home. Failed to show up as promised on the first anniversary of their separation. She wants Gamache’s help to find him. Having finally found sanctuary, Gamache feels a near revulsion at the thought of leaving Three Pines. “There’s power enough in Heaven,” he finishes the quote as he contemplates the quiet village, “to cure a sin-sick soul.” And then he gets up. And joins her. Together with his former second-in-command, Jean-Guy Beauvoir, and Myrna Landers, they journey deeper and deeper into Québec. And deeper and deeper into the soul of Peter Morrow. A man so desperate to recapture his fame as an artist, he would sell that soul. And may have. The journey takes them further and further from Three Pines, to the very mouth of the great St. Lawrence river. To an area so desolate, so damned, the first mariners called it the land God gave to Cain. And there they discover the terrible damage done by a sin-sick soul.
For eons, sandstorms have swept the barren desolate landscape of the red planet. For centuries, Mars has beckoned to mankind to come and conquer its hostile climate. Now, in the year 2026, a group of one hundred colonists is about to fulfill that destiny. John Boone, Maya Toitavna, Frank Chalmers, and Arkady Bogdanov lead a mission whose ultimate goal is the terraforming of Mars. For some, Mars will become a passion driving them to daring acts of courage and madness; for others it offers and opportunity to strip the planet of its riches. And for the genetic "alchemists," Mars presents a chance to create a biomedical miracle, a breakthrough that could change all we know about life...and death. The colonists place giant satellite mirrors in Martian orbit to reflect light to the planets surface. Black dust sprinkled on the polar caps will capture warmth and melt the ice. And massive tunnels, kilometers in depth, will be drilled into the Martian mantle to create stupendous vents of hot gases. Against this backdrop of epic upheaval, rivalries, loves, and friendships will form and fall to pieces--for there are those who will fight to the death to prevent Mars from ever being changed.
Home on leave, Bess Crawford is asked to accompany a wounded soldier confined to a wheelchair to Buckingham Palace, where he’s to be decorated by the King. The next morning when Bess goes to collect Wilkins, he has vanished. Both the Army and the nursing service hold Bess negligent for losing the war hero, and there will be an inquiry. Then comes disturbing word from the Shropshire police, complicating the already difficult situation: Wilkins has been spotted, and he’s killed a man. If Bess is to save her own reputation, she must find Wilkins and uncover the truth. But the elusive soldier has disappeared again and even the Shropshire police have lost him. Suddenly, the moral implications of what has happened—that a patient in her charge has committed murder—become more important to Bess than her own future.
London, 1890. A small group of the city’s elite, fed up with the murder rate, have made it their business to capture violent criminals and mete out their own terrible brand of retribution. Now they are taking it a step further: They have arranged for four murderers to escape from prison, and into the group’s hands. But the plan goes wrong. The killers elude them, and now it is up to Walter Day, Nevil Hammersmith, and the rest of Scotland Yard’s Murder Squad to hunt the convicts down before they can resume their bloody spree. But the Murder Squad may already be too late. The killers have retribution in mind, and one of them is heading straight toward a member of the Murder Squad, and his family. And that isn’t even the worst of it. During the escape, one of the killers has stumbled upon the location of another notorious murderer, one thought gone for good, but who is now prepared to join forces with them.
When Judge Deborah Knott is summoned to her ailing Aunt Rachel's bedside, she assumes the worst. Thankfully when she arrives at the hospice center she learns that Rachel hasn't passed; in fact, the dying woman is awake. Surrounded by her children, her extended family, and what seems like half of Colleton County, a semi-conscious Rachel breaks weeks of pained silence with snippets of stories as randomly pieced together as a well-worn patchwork quilt. But the Knott family's joy quickly gives way to shock: less than an hour later, Aunt Rachel is found dead in her bed, smothered with a pillow.
For twenty years, James Carville and Mary Matalin have held the mantle of the nation’s most politically opposed, ideologically mismatched, and intensely opinionated couple. In this follow-up to their groundbreaking All’s Fair: Love, War, and Running for President, Carville and Matalin take a look at how they—and America—have changed in the last two decades. If nothing else, this new collaboration proves that after twenty years of marriage they can still manage to agree on a few things. Love & War traces, in their two distinct voices, James and Mary’s story from the end of the 1992 presidential campaign—where he managed Bill Clinton’s electoral triumph while she suffered defeat as George H. W. Bush’s key strategist—till now. Mary focuses on issues of family, faith, and foreign enemies and offers insights from her kitchen table as well as the White House Cabinet Room, while James’s concentration is politics and love—the triumphant and troubled Clinton era, George W. Bush’s complicated presidency, the election of Barack Obama, the rise of the corrosive partisanship that dominates political life in Washington today, and the overriding abiding romance he holds for his native Louisiana and his wife and children. Together, the Carville-Matalins reflect on raising two daughters in the pressure cooker of the nation’s capital, and their momentous 2008 decision to leave D.C. and move their family to New Orleans. Post-Katrina, James and Mary’s efforts to rebuild and promote that city have become a central part of their lives—and a poignant metaphor for moving the nation forward.
This book takes place probably around the 1950s. It is centered around the industrial sector of the U.S., the only government that has not become a People's State. Dagny Taggart is a no-nonsense VP of Operations for the largest railroad in the world. She is intelligent and is solely driven to keeping her RR as the best. The times are dim and getting dimmer. In the beginning the country is in a recession of sorts and it is up to Taggart and others like her to save the country. There are two problems that are preventing her from doing this. One, the government seeks more and more control when it should be stepping away. Second, the men of industry are disappearing one by one just when they are critically needed. No one knows where they go off to. The theme of Atlas Shrugged, as Rand described it, is "the role of man's mind in existence". The book explores a number of philosophical themes from which Rand would subsequently develop Objectivism. In doing so, it expresses the advocacy of reason, individualism, capitalism, and the failures of governmental coercion.
Panic began as so many things do in Carp, a poor town of twelve thousand people in the middle of nowhere: because it was summer, and there was nothing else to do. Heather never thought she would compete in panic, a legendary game played by graduating seniors. She'd never thought of herself as fearless, the kind of person who would fight to stand out. But when she finds something, and someone, to fight for, she will discover that she is braver than she ever thought.
Dodge has never been afraid of panic. His secret will fuel him, and get him all the way through the game; he's sure of it. But what he doesn't know is that he's not the only one with a secret. Everyone has something to play for. For Heather and Dodge, the game will bring new alliances, unexpected revelations, and the possibility of first love for each of them—and the knowledge that sometimes the very things we fear are those we need the most.
In October of 1806, the Little Season is in full swing, and Sally Fitzhugh has had enough of the endless parties and balls. With a rampant vampire craze sparked by the novel The Convent of Orsino, it seems no one can speak of anything else. But when Sally hears a rumor that the reclusive Duke of Belliston is an actual vampire, she cannot resist the challenge of proving such nonsense false. At a ball in Belliston Square, she ventures across the gardens and encounters the mysterious Duke. Lucien, Duke of Belliston, is well versed in the trouble gossip can bring. He’s returned home to dispel the rumors of scandal surrounding his parents’ deaths, which hint at everything from treason to dark sorcery. While he searches for the truth, he welcomes his fearsome reputation—until a woman is found dead in Richmond. Her blood drained from her throat. Lucien and Sally join forces to stop the so-called vampire from killing again. Someone managed to get away with killing the last Duke of Belliston. But they won’t kill this duke—not if Sally has anything to say about it.
RIGHT WOMAN, WRONG PLACE
It's hard to give peace a chance when the other side regards war as the necessary prelude to conquest, and a sneak attack as the best means to that end. That's why the Kingdom of Manticore needs allies against the so-called ""Republic"" of Haven--and the planet Grayson is just the right strategic place to make a very good ally indeed. But Her Majesty's Foreign Office had overlooked a ""minor cultural difference"" when they chose Honor Harrington to carry the flag: women on the planet Grayson are without rank or rights; Honor's very presence is an intolerable affront to every male on the planet. At first Honor doesn't take it personally; where she comes from gender discrimination is barely a historical memory, right up there in significance to fear of the left-handed. But in time such treatment as she receives from the Graysonites does become wearing, and Honor would withdraw if she could--but then Grayson's fratricidal sister planet attacks without warning and she must stay and prevail, not just for Honor's honor, but for her sovereign's.