The body of a lovely young woman is found in London's fashionable Docklands area. She turns out to be Annabelle Hammond, the director of an old family firm of tea merchants. She was a woman of tremendous talent and sexual appetite, but also the kind of harsh and abrasive personality that provides plenty of motives for murder. The Hammond family is also historically linked to the self-made property developer Lewis Finch and his son, an activist dropout and street musician. The other suspects include a spineless boyfriend who works at the tea firm, a secretary too loyal to be true, and herrings of various shades of crimson. Kincaid and James have to solve it all, even as their own personal problems threaten to intrude.
He saw each note as it fell from his clarinet. Smooth, stretched, with a smokey luster that made him think of black pearls against a woman’s translucent white skin. If I Had You, it was called, an old tune with a slow, sweet melodic line. Had he ever played this one for her?
In the beginning she’d stood in the street as he played, watching him, swaying a little
with the music. He’d distrusted her power clothes and her Pre-Raphaelite face. But she’d intrigued him as well. As the months went by, he never knew when she would appear. There seemed no pattern to it, yet whenever he moved, she found him.
It had been a day like this, the first time he’d seen her, a hot summer day with the smell of rain on the threshold of perception. As evening fell, the shadows cooled the hot, still air and the crowds poured out onto the pavements like prisoners released. Restless, jostling, they were flushed with drink and summer’s licence, and he’d played a jazzy little riff on Summertime to suit their mood.
She stood apart, at the back of the crowd, watching him, and at last she turned away without tossing him even a cursory coin. She never paid him, in all the times after that; and she never spoke. It had been he, one night when she had come alone, who called her back as she turned away.
Much love,
PK the Bookeemonster
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