Saturday, April 4, 2009

Featured Author: Tasha Alexander

If you've read and enjoyed the books of Deanna Raybourn and now looking for something similar while you wait another year for the next book, TASHA ALEXANDER may be a good fit. There are three books out currently and a fourth expected in September of this year. This series features Lady Emily Ashton, young and recently widowed, in Victorian London, England. AND ONLY TO DECEIVE (2005)
Emily Bromley, a Victorian beauty, doesn't really want to marry, but her mother's persistent pressure forced her to accept wealthy Viscount Philip Ashton's proposal. When Philip dies on safari in Africa a few months after the wedding, Emily feels relief more than grief. Now the wealthy widow of a man she hardly knew, she is free to pursue her heart's real passion--reading. Yet once Emily begins to hear stories about Philip's interest in Greek literature and his exquisite collection of antiquities, Emily begins to feel herself falling in love with her mysterious, now-dead husband. But the more she discovers about Philip's extraordinary life, the more she fears that his death may not have been an accident. In the process, she forms a friendship with Cecile du Lac, a Parisian of a certain age, and realizes that there was more to Philip than she realized—including his genuine passion and love for her. The charming Colin Hargreaves may have been involved with Philip in art forgeries, and Andrew Palmer proposes to Emily and then offers evidence that Philip is still alive.
Excerpt:

Few people would look kindly on my reasons for marrying Philip; neither love nor money nor his title induced me to accept his proposal. Yet, as I look across the spans of Aegean Sea filling the view from my villas balcony, I cannot doubt that it was a surprisingly good decision.


The Viscount Ashton seemed an unlikely candidate to bring anyone much happiness, at least according to my standards. His fortune, moderate good looks, and impeccable manners guaranteed that hapless females would constantly fling themselves at him in the hope of winning his affection. They missed his defining characteristic, ensuring that he would never pay them more than the slightest polite attention: Philip was a hunter.


I mean this, of course, literally. Hunting possessed him. He spent as much time as his fortune would permit pursuing wild beasts. The dignified (although I would not choose to describe it as so) English hunt amused him, but he preferred big game and passed much of his time stalking his quarry on the plains of Africa. He could be found in London only briefly, at the height of the Season, when he limited his prey to potential brides. The image he presented could be described as striking, I suppose. He played the part of daring adventurer well.


My encounter with the dashing viscount began as such things typically do, at a soirée. I found the conversation lacking and longed to return home to the novel that had engrossed me all morning. Philip differed little from other men I met, and I had no interest in continuing the acquaintance. No interest, that is, until I decided to accept the inevitable and agree to marry.


My mother and I do not particularly enjoy each others company. From the day the queen kissed me during my presentation at court in Buckingham Palace, I heard from Mother constant reminders that my looks would soon fade, and she admonished me to do my best to catch a husband immediately. That I had refused several good offers continued to vex her, and I will not bore the reader with the details of these trivial events. Suffice it to say that I had little interest in marriage. I cannot claim that this was due to lofty ideals of love or outrage at the submission demanded by many husbands of their wives. Frankly, I considered the proposition of matrimony immensely boring. Married women I knew did scarcely more than bear children and order around their servants. Their time consumed by mundane details, the most excitement for which they could hope was some social event at which they could meet one another and complain about said children and servants. I preferred my life at home. At least as a single woman, I had time to pursue my own interests, read voraciously, and travel when opportunity presented.


Did I marry Philip, then, because of his keen sense of adventure? Did I long to travel to darkest Africa with him? Hardly. I married him because he happened to propose at a moment when accepting him seemed a simple way out of an increasingly unbearable situation.


As the months following my debut progressed, my mother became more and more desperate, her dearest wish having always been to see me make a brilliant match before the end of my first Season. She lamented continually; it was nearly impossible to converse with her on any other topic. Any topic, that is, other than the proposals being accepted by the daughters of her friends. She began to point out the slightest wrinkles and imperfections on my face, bemoaning what she considered to be the beginning of the end of my wasted beauty. She cut my allowance, telling me I must learn to live on a pittance if I were determined to be a spinster. The final affront came one morning when she entered my room with a dressmakers tape. She wanted to measure my waist to see how quickly I was becoming old and fat. I could bear it no longer.

That same afternoon Philip called and asked me to do him the honor of becoming his wife. This came as a complete surprise; I had rarely conversed with him, though we saw each other frequently at social gatherings. Having no interest in hunting or in his superficial charm, I tended to avoid him. I did not realize that the hunter always prefers the quarry that is difficult to catch. He claimed to love me endlessly and said all the pretty words we expect to hear on such an occasion. They meant nothing to me. Living with him could not be worse than continued subjection to my mothers ranting. I accepted his proposal immediately.


The wedding took place as soon as my trousseau could be assembled. Six months later I found myself a widow. I had known my husband barely long enough for his name to stop sounding foreign on my lips. When I read the telegram, a feeling of relief and freedom swept through my body, causing me to tremble. The butler reached toward me, assuming I would faint. I never faint. Fainting is a result of affectation or too-tight stays; I will succumb to neither.


I felt no grief for the loss of Philip. I hardly knew him. As the astute reader will already have guessed, the hunter rarely has much interest in his quarry once it is caught, except as a trophy. After a brief wedding trip, my new husband returned to Africa, where he spent the months prior to his death hunting with his friends. We exchanged civil, impersonal letters. Then the prescribed period of mourning began. For twelve months I would have to wear nothing but black crepe and avoid nearly all social events. After that I would be allowed silk, but in dull grays and black stripes. Not until two years had passed would I be able to return to an ordinary existence.


A POISONED SEASON (2007)

London's social season is in full swing, and the aristocracy can't stop whispering about a certain gentleman who claims to be the direct descendent of Louis XVI and Marie Antoinette. But he's not the only topic of wagging tongues. Drawing rooms, boudoirs, and ballrooms are abuzz with the latest news of an audacious cat burglar who has been making off with precious items that once belonged to the ill-fated queen.
But light gossip turns serious when the owner of one of the pilfered treasures is murdered, and the thief develops a twisted obsession with Lady Emily Ashton. It takes all of Emily's wit and perseverance to unmask her stalker and ferret out the murderer, even as a brewing scandal threatens both her reputation and her private life.
Excerpt:

There are several things one can depend upon during the London Season: an overwhelming barrage of invitations, friends whose loyalties turn suspect, and at least one overzealous suitor. This year was to prove no exception.

Having recently come out of mourning for my late husband, Philip, the Viscount Ashton, I was determined to adopt a hedonistic approach to society, something that I imagined would involve refusing all but the most enticing invitations and being forced to cull disloyal acquaintances. This would allow me to enjoy the summer months instead of trudging from party to party, feeling like one of the exhausted dead, finding myself the subject of the gossip that fuels young barbarians at play.


However, it became clear almost immediately that my theory was flawed. Declining to attend parties proved not to have the desired effect. Instead of dropping me from their guest lists, people assumed I was in such demand that I was choosing to attend events even more exclusive than their own, and there are few better ways to increase one's volume of invitations than by the appearance of popularity. So for a short while—a very short while—my peers held me in high esteem.

It was during this time that I found myself at the home of Lady Elinor Routledge, one of the finest hostesses in England and a long-standing friend of my mother's. By definition, therefore, she was more concerned with a person's societal standing than with anything else. Despite this, I had decided to attend her garden party for two reasons. First, I wanted to see her roses, whose equal, according to rumor, could not be found in all of England. Second, I hoped to meet Mr. Charles Berry, a young man whose presence in town had caused a stir amongst all the aristocracy. The roses surpassed all of my expectations; unfortunately, the gentleman did not.

When stepping into the garden at Meadowdown, one was transported from the gritty heat of London's streets to a sumptuous oasis. For the party, lovely peaked tents were scattered between hedgerows, trees, and beds of flowers, ensuring that guests would never be more than a few paces from refreshment, and the sounds of a small orchestra wafted through the grounds. Young ladies flitted about, their brightly colored dresses competing with the flowers for attention and rarely losing the battle. The gentlemen, turned out in dark frock coats, were elegant, too, keeping their companions well supplied with ices, strawberries, or whatever delicacies might catch their fancy. Et in Arcadia ego.
It would take little effort for one to imagine in this scene an eligible prince, all courtesy and ease, graciously bestowing his favor on those around him. But there was no such gentleman at Lady Elinor's that day. The only prince present—if he could be called that—was a grave disappointment.

The romantic ideals swirling around the heir to a throne are seldom capable of surviving close scrutiny. In the case of Charles Berry, these ideals hardly stood observation from afar. His appearance was not unpleasant, but his manners were dreadful, and to say that he was prone to drink more than he ought would be a very diplomatic statement indeed. The young ladies who followed his every move with admiration happily ignored all of this; they were captivated by the notion of marrying into a royal family. The situation was rendered all the more ridiculous when one considered the fact that the throne to which Mr. Berry aspired no longer existed.

"I hoped he would be more handsome." Cécile du Lac formed opinions of people quickly and rarely changed them. We had known each other for less than a year, but she had become one of my closest confidantes almost from the moment I'd met her, despite the fact that she was nearer in age to my mother than to me. She watched him as she continued. "And he lacks completely the generous spirit one likes to find in a monarch. If he could not claim a direct relation to Louis XVI and Marie Antoinette, society would hold him in much less regard."

Almost from the moment Louis XVI's son and heir had died in a French prison during the revolution, rumors that the boy had escaped began to circulate. Now, nearly a century later, gentlemen were still coming forward, insisting that they were descended from Louis Charles. Charles Berry was the most recent to make the claim, and his story was filled with enough details to convince the surviving members of the Bourbon family to accept him as the dauphin's great-grandson.

"Don't judge him too harshly," Lady Elinor said, moving her hands gracefully in a gesture designed not to emphasize her words, but to show off the spectacular ruby ring on her right hand. "He's led a difficult life."

"Do you know him well?" I asked her.

"He was at Oxford with my son, George, although they didn't move in the same crowd. George has always been very serious. He takes after his father." Lady Elinor's husband, Mr. John Routledge, had been a steady if somewhat humorless man, who served in the government as chancellor of the exchequer until his death some years ago. George, who was much older than his sister, had taken a position in the diplomatic corps and had been stationed in India for so long that I could hardly recall what he looked like. "Let me introduce you. I think you'll find Mr. Berry most charming."

The gentleman in question stood not far from us, surrounded by several very eligible heiresses whose mothers watched, hawklike, from a safe distance, eagerly trying to gauge which girl garnered the most attention from the purported heir to the House of Bourbon. I wondered if any of them gave even momentary consideration to what it might be like to actually be the wife of such a man. None of the mothers tried to hide her irritation when Lady Elinor pulled him away.


A FATAL WALTZ (2008) Finalist 2009 Bruce Alexander Award

Lady Emily Ashton is at a country house party when someone shoots her noxious host, Lord Basil Fortescue, with a dueling pistol. After the husband of a good friend is accused of the murder, Emily determines to find the real killer. The only clue, a threatening letter promising a political assassination, drives Emily to Vienna, where she meets the painter Gustav Klimt and shares stolen moments with her fiancé. But Emily never forgets her urgent mission—in the service of which she must match wits with double agents and anarchists as well as ally herself temporarily with her fiance's former lover, the sexually sophisticated Kristiana von Lange.

Excerpt contains spoilers, so not posted for this book.

TEARS OF PEARL (September 2009)

Even before Emily steps off the Orient Express in beautiful and decadent Constantinople, she's embroiled in intrigue and treachery. The brutal death of a concubine in the sultan's palace allows her first foray into investigating a crime as an official agent of the British Empire--because only a woman can be given access to the forbidden world of the harem. There, she quickly discovers that its mysterious, sheltered walls offer no protection from a ruthless murderer.


Tasha Alexander's website can be found at http://www.tashaalexander.com/index.html. Her bio states: "Tasha Alexander attended the University of Notre Dame, where she signed on as an English major in order to have a legitimate excuse for spending all her time reading. She lived in Amsterdam, London, Wyoming, Vermont, Connecticut and Tennessee before settling in Chicago. When not reading, she can be found hard at work on her next book."
Her books are fun, romantic-suspense-ish historical mysteries. Rating, 4.5 out of 5.

Much love,

PK the Bookeemonster


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